Some creations begin with a sketch. Others are born much earlier, in a discovery, a harvest or a material patiently preserved. At TASAKI, the latest High Jewellery pieces are part of this particular temporality, where expertise dialogues with the history of the House
Sometimes all it takes is a plate to change the way you look at a table. A shape, a material, an unexpected detail can transform a daily gesture into an aesthetic experience. This is precisely what Table-Signature, a new proposition by Galerie Vauclair, has to offer.
With the Okavango Blue, Maison Messika presents a creation where High Jewellery serves a stone shaped by time, a blue diamond whose story began long before the jewel.
Some designers draw jewellery. Cora Sheibani, however, imagines shapes that tell an intimate story of a relationship with the material. Between gemology, design, and art history, the jeweller builds a body of work where every stone becomes a field of exploration.
Published by Assouline, this book serves as a reminder that certain motor cars do not merely belong to industrial history. They occupy a place in the history of taste, where the beauty of the design, the mastery of the craftsmen and time all combine to give them a value that transcends that of the object.
With its new Nail Ornaments, Maison Mellerio shifts the gaze towards a territory long remaining at the border of jewellery: that of the nail;
Art Deco Style, published by Éditions Assouline, is part of their Style collection dedicated to the major movements that have shaped our perspective on design. Written by specialist Jared Gross and featuring a rich iconography, the book explores the multiple facets of this movement, which continues to inspire designers, architects, and artists.
Through these creations, Bvlgari asserts a vision of High Jewellery in which virtuosity is measured not only by the presence of the stones, but by the way they are brought into relationship. The diamond becomes a structural element, a motif and a source of movement.
Monte Carlo is not just a book about a destination. It is an invitation to look at a place that is often photographed but rarely observed in all the complexity of its stories.
With the FRED Golden Light collection, FRED pursues a vision of fine jewellery in which colour, light and artisanal craftsmanship come together in harmony. The collection serves as a reminder that gemstones are never merely objects of contemplation. They embody a story, a landscape, an emotion. Through the Soleil d’Or and the accompanying creations, FRED transforms a natural moment – the golden hour – into a work of art destined to stand the test of time.
High jewellery often draws its inspiration from nature. With LÀ HAUT, Christine Chen gives it another dimension. The elevation in question is not only that of the mountains or the sky, but also that of the human being. It was on the Eiffel Tower that the founder of Serendipity chose to unveil her new [...]
Protection explores this idea through pieces in which precise craftsmanship meets a reflection on the way objects shape our sensations. Jewellery is no longer merely a symbol or an ornament. It becomes a presence, designed to accompany the body and, with delicacy, alter the way it inhabits the world.
Petites Braises announces an ongoing collection: following the ruby, sapphire, emerald and diamond will be the subject of successive volumes. Each will follow the same rigorous structure—composition, provenance, uses, symbolism, presence in the arts—to transform gemology into a narrative discipline.
With Serenissima, Buccellati reminds us that Haute Joaillerie is not just about showcasing rare stones; it can also preserve a memory. The memory of gestures, materials, and a city that, for centuries, has inspired artists as much as it has nourished the imagination. Here, Venice is not admired; it is carried.
On the occasion of Haute Couture Week in Paris, the British house unveiled Legacy of Colour Volume II, a new collection of twelve high-jewellery creations that continues a reflection begun a few months earlier: making colour the true starting point of the jewellery.
The story begins where it all began for Mikimoto. In this quest, initiated more than a century ago, to reveal the full beauty of cultured pearls. Today, this research takes on a new dimension.
