In Femmes aux Bijoux, published by Éditions de La Martinière, fifteen destinies are revealed through the stones that have accompanied them, consoled them, and sometimes betrayed them. The book opens up sumptuous yet painful settings where the brilliance of the gems reflects the wounds of existence.
At Chaumet, the wheat ear is more than just a motif; it embodies a continuous thread that links imperial heritage with contemporary creations. Joséphine de Beauharnais and Marie-Louise d'Autriche had already chosen this sign of fertility and prosperity to adorn their jewelry.
Through this visual and narrative narrative, the portrait of a creator emerges that transformed the relationship to jewelry, imagining it both essential, functional, and deeply rooted in its time.
At Boucheron, the arrow is not an anecdotal ornament; it is part of the house’s DNA. Introduced as early as the 1860s, it has served as a testing ground for aesthetic experimentation, ranging from Orientalist refinement to the codes of 1920s Modernism.
Published by Assouline Editions, Fashionphile: The Book of Iconic Bags explores the rise of the handbag as an icon of contemporary luxury. For three decades, this accessory has transcended its utilitarian function to become a distinctive signifier.
The Japanese house Tasaki unveils its latest collection whose common thread lies in the subtle combination of the major jewels of jewelry. Each of these stones—ruby, emerald, sapphire, diamond, and pearl—is treated as a unique language.
In the midst of a dreamy garden, Van Cleef & Arpels brings to life two floral jewelry creations, between solar lace and tropical exuberance. With Flowerlace and Fleurs d’Hawaï, Van Cleef & Arpels once again demonstrates its ability to reinterpret motifs that are foundational to its stylistic vocabulary.
Christie’s offers a dive into the creative legacy of Jean Dinh Van, a figure who redefined the codes of modern jewelry. The Christie’s Paris salons regularly become the stage for dialogues between history and contemporary creation.
Thirty creations, combining unique pieces and numbered editions. Some reinterpret Nikos Koulis’ signature designs, others explore new territories. One finds a jewelery of diamonds cut in moval.
A unique house due to its direct connection with the source of its diamonds, De Beers inscribes this second chapter under the sign of the emblematic trees of its producing countries. Each piece echoes a landscape, a texture or a light, translated into rough and polished diamonds in service of a contemporary reading of nature.
Graff has unveiled 1963, a high-jewellery collection inspired by the brand’s founding decade. This new collection pays tribute to the Swinging Sixties, a time of creative freedom and cultural upheaval, while reaffirming the central role of the diamond in the Maison’s history.
Through the windows of 12 Vendôme, a landscape awakens. At Chaumet, jewels become flowers, leaves and wings, as if nature had found refuge in gold and precious stones. The new collection of haute joaillerie, Jewels by Nature, tells this intimate encounter between the living world and the art of the workshop.
There is a breath, a pulsation in Repossi’s Blast collection. A raw momentum that emerges from an infinite thread, worked as an instinctive, almost calligraphic stroke. One imagines the hand tracing, the gesture enveloping the body without interruption.
The exhibition reveals this network of loyalties and influences through the prism of objects: jewels from Joséphine, pipes, and previously unseen portraits from private collections, as well as Monegasque silverware worthy of the finest imperial tables.
The Boucheron house continues its exploration of nature with its new high jewelry collection Carte Blanche 2025, titled Impermanence.
The Montans’ Torque at the School of Jewelry Arts, an experimental archaeology project that explores the forgotten gestures of the Celts. Dating back to the Second Iron Age (450–25 BC), this rigid gold necklace was found in 1843.
