Blast of Repossi, a golden thread, a thousand sparkles.
There is one in the collection Blast of Repossi a breath, a pulsation. A raw momentum that emerges from an infinite thread, worked as an instinctive, almost calligraphic line. One imagines the hand tracing, the gesture wrapping the body without interruption, until it conforms to its lines, its fullness, its hollows.
Repossi Here, he gives all his work in gold its full density, making it speak; he contrasts it with the exalted emptiness of his previous collections. Blast He doesn’t dress; he sculpts. In a continuous motion, the creations wind themselves, turn, and dialogue with the skin. The spiral, a recurring motif, draws inspiration from nature as much as from ancestral cultures. One thinks of the Masai necklaces, the jewelry of the Miao peoples, these pieces that say as much as they adorn.
The plastron necklace stands out with its 250 hours of craftsmanship, pear-cut diamonds, and 720 pavé stones. A technical feat that never loses its sensuality. As do the elongated, almost mobile ear pendants, or the Lariat pendant that glides along the bust, in an elegant yet understated style.
But it is perhaps in the rings that the message is conveyed most directly. Three sculptural interpretations of a cocktail ring, inherited from the 1920s, play on the theme of exuberance with a controlled economy of gestures. Luxury is all about rhythm, controlled density, and restrained light.
Through Blast, Repossi He also summons his own archives, notably the solar pieces from the 1980s. Not to succumb to nostalgia, but to question what a precious form, a contemporary accessory, a jeweled object can be today.
The result? An instinctive collection, conceived as an extension of the body and of history. A precious, living material carried by the breath of a name: Blast.
