Independent media since 2014
by Charlotte Wannebroucq · CNE Accredited Gemmologist

MODERNE MAHARAJAH IN MAD

The exhibition highlights the universe of this mythical residence
Charlotte Wannebroucq, CNE-certified expert gemmologist
Founder and Editor-in-Chief
Updated on May 12
Updated on 12 May 2023
MODERNE MAHARADJAH MAD

Starting on September 26th, the MAD presenting his exhibition
«Modern Maharajah. An Indian prince from the 1930s», an opportunity to discover a little more about the personality of a visionary.

Bernard Boutet de Monvel S.A. The Maharajah of Indore (western costume), 1929
Bernard Boutet de Monvel S.A. The Maharajah of Indore (western costume), 1929
© Bernard Boutet de
Monvel / Museum of the City of Boulogne-Billancourt / Adagp, Paris, 2019.
Photo: Pascal Cadiou

That of the Maharajah of Indore, Yeshwant Rao II Holkar, a young prince, an amateur of the arts with a mysterious personality who would break with traditional India. The patron of the very first modernist building in his country: the Manik Bagh palace, bears witness to the vibrancy of the artistic scene of the time.

Eckart Muthesius, exterior view of the Manik Bagh palace, retouched, around 1933. DR
Entrance hall of Manik Bagh Palace, around 1933. DR
Le Corbusier, Charlotte Perriand and Pierre Jeanneret, reclining armchair model B 306, Thonet edition, around 1931
© Sotheby’s / Art Digital Studio

The exhibition highlights the universe of this mythical residence, evoking the exchanges between Europe and India through the fascinating personality of a young prince and his wife. Furthermore Modern Maharajah also mentions the Maharajah’s interest in the arts of the great jewellers such as Van Cleef & Arpels, Mauboussin, Chaumet or Harry Winston.

Man Ray, The Maharajah and His Wife, around 1927<br /> © Man Ray Trust / ADAGP, Paris
Man Ray, The Maharajah and His Wife, around 1927
© Man Ray Trust / ADAGP, Paris

 

Area of brilliant and ruby stones, 1930, commissioned in 1931 by the maharajah. Paris, Van Cleef & Arpels Archives
Pair of brilliant and ruby cufflinks, 1930, ordered in 1931 by the maharajah. Paris, Van Cleef & Arpels Archives © Van Cleef & Arpels
Mauboussin<br /> Ring from around 1940-1945<br /> Platinum, ruby and diamonds © Al Thani Collection 2015 Photo by Prudence Cuming
Mauboussin
Ring from around 1940-1945
Platinum, rubies and diamonds
© Al Thani Collection 2015
Photo by Prudence Cuming
Joseph Chaumet, drawing workshop, Project for a decorative bodice made of platinum, diamonds and emeralds with the pear-shaped diamonds from Indore, graphite pencil, watercolors and gouache glazes, arabesque glazes on a grey tinted card, circa 1911. H. 37.5 cm x W. 30 cm. Paris, Chaumet collection, inv.PR.2019-DI-053
Joseph Chaumet, drawing studio, Project for a decorative bodice made of platinum, diamonds and emeralds with pear-shaped diamonds from Indore, graphite pencil, watercolors and gouache glazes, arabesque glazes on a gray tinted card, circa 1911. H. 37.5 cm x W. 30 cm. Paris, collection Chaumet, inv.PR.2019-DI-053 © Chaumet
Harry Winston Ring circa 1943 Platinum and blue-gray diamond © Al Thani Collection 2015 Photo by Prudence Cuming
Harry Winston
Ring around 1943
Platinum and blue-gray diamond
© Al Thani Collection 2015
Photo by Prudence Cuming

Thus, it is a heritage of more than 500 pieces that is gathered in the museum’s Niche. It is worth noting that this is a unique opportunity to admire these creations, which were originally united within a palace, and which testify to the Maharajah of Indore’s strong taste for modernity. A must-see!

Exhibition realized with support The Al Thani Collection Foundation and Friends of the Museums of Decorative Arts

From September 26, 2019 to January 12, 2020

MAD Paris
107 Rue de Rivoli, 75001 Paris

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Charlotte Wannebroucq, CNE-certified expert gemmologist
The author

Charlotte Wannebroucq

Gemmologist expert, member of the CNE-Art, and expert in signed jewelry. Twenty-five years of experience at the heart of Parisian jewelry, between the Carré Rive Gauche and Place Vendôme.
She signs the decryptions of collections, the analyses of stones and the estimates published in Esprit Joaillerie. Each piece commented on is examined in person, in the workshop, in the sales room or in the showroom.
  • Expertise

    Gemmology and signed jewellery

  • Member

    CNE-Art

  • Experience

    Over 25 years in Parisian jewellery