Independent media since 2014
by Charlotte Wannebroucq · CNE Accredited Gemmologist

TENDENCY ART DECO

Charlotte Wannebroucq, CNE-certified expert gemmologist
Founder and Editor-in-Chief
Updated on June 13
Updated on June 13, 2023
ART DECO

Art Deco trend

Esprit Joaillerie and the Miller House offer you a journey through time, to the Art Deco era, accompanied by a lively Charleston rhythm.

This period of Art Deco began around the end of 1910 and lasted until 1939. It takes its name from the first international exhibition of decorative arts that took place in 1925 in Paris. For 6 months this event showcased both the exterior architecture and interior decoration. Unlike the Universal Exhibition, it nevertheless brought together no fewer than 21 countries that were committed to innovation.

© Cparama.com
© Cparama.com

This beginning of the 20th century is marked by a spirit of freedom; there are many innovative artists. In all fields—painting, literature, music, fashion, or jewelry—this sentiment is expressed.

Fernand Léger "The Keys" 1928 © DR
Fernand Léger
«The Keys» 1928
© DR

Around 1905, the extravagantly ornate Art Nouveau style that preceded it lost its aura; this «new style» gave way to a more rigorous, symmetrical, and colorful form of art as the world became more modern.

© Esprit Joaillerie
© Esprit Joaillerie

 This style, characterized by clean lines, stylized flowers, and geometric patterns, is resolutely functional.
The poet Paul Géraldy will say: «Art Deco finds the meaning of life, progresses towards its perfection and achieves a rigor, a unity, and a style worthy of our greatest epochs.»

A true manifesto of modernity, the architecture is sober and geometric, thus restoring its balance.

© Esprit Joaillerie
© Esprit Joaillerie

Art Deco is primarily imposed in places where ideas are expressed, in places of entertainment.
The facade of the Folies Bergères, listed as a historical monument, created by the sculptor Maurice Picaud said Pico This is a famous example of that.

© Esprit Joaillerie
© Esprit Joaillerie

Here we see the famous Russian dancer and model, Lila Nikolska, in the pure Art Deco style.

© Esprit Joaillerie
© Esprit Joaillerie

The Grand Rex, one of the largest theaters in Paris, opened in 1934 with architecture borrowed from the Radio City Music Hall in New York. This mythical place of Parisian cinema offers an imposing façade; its designers Auguste Bluysen, John Eberson and Henri-Edouard Navarre conceived a Art Deco style of grandeur, a setting that would captivate all of Paris.

© Esprit Joaillerie
© Esprit Joaillerie

«La Coupole is a Parisian café that celebrated artists and intellectuals of the Roaring Twenties; Jean Cocteau, Foujita, Giacometti, Zadkine, Man Ray, Aragon, Joséphine Baker, etc., were among…

The Coupole in 1930 © La Coupole / Flo
The Coupole in 1930
© La Coupole / Flo

A true treasure of Art Deco, the «pilasters» are representative of the place. Comprising 27 pieces, these pillars are covered in marble and Cubist-inspired mosaics. They bear witness to a time when 27 painters faithful to the Montparnasse bohemian scene left their mark.

"Dubreuil" pillar © Esprit Joaillerie
«Dubreuil» pillar © Esprit Joaillerie
The Coupole in 2017 View of the Hall and the Pillars. © Esprit Joaillerie
The Coupole in 2017
View of the Hall and the Pillars. © Esprit Joaillerie

To go to these high-profile places in Parisian life, one had to follow the prevailing style. The fashion world immediately interpreted this new trend, offering new hairstyles—a «boyish» style. The hair is short and wavy, styled with a hat worn very low on the forehead.

Portrait of Elsa Schiaparelli by Man Ray 1933
Portrait of
Elsa Schiaparelli by Man Ray 1933
Chanel advertisement 1926 © Vogue
Chanel advertising
1926
© Vogue
Model for the Maison Jeanne Lanvin. 1920. Marguerite Porracchia © Photo Les Arts Décoratifs, Paris
Model drawing for the Maison Jeanne Lanvin. 1920. Marguerite Porracchia
© Photo Les Arts Décoratifs, Paris

It’s about staying feminine, comfortable and with style!
The dresses are precious, flowing and active; materials such as silk, feathers or fur are highly sought after.

Paul Poiret, 1924. Satin dress of silk, silver lame embroidery, chinchilla fur, silk velvet. © Les Arts Décoratifs Paris / Jean Tholance. ADAGP, Paris
Paul Poiret, 1924.
Silk satin dress, silver lame embroidery, chinchilla fur, silk velvet.
© Les Arts Décoratifs Paris / Jean Tholance. ADAGP, Paris

At that time, couturiers played an influential role, because creating a garment was a way of expressing oneself. This importance of fashion has always remained present ever since.
The elegance of the Parisian woman therefore had its own existence! Snobbery extended to the interiors as well, where names like Bourdelle, Brandt, Catteau, Daum, Perriand, Poiret, Puiforcat, Ruhlmann, Sandoz… were a guarantee of good taste and social status.
We must live up to this «total style»; what we display on the outside must be as elegant as our interior.

Charles Catteau 1924.
Charles Catteau 1924.
Puiforcat Legumier Silver, Jade. Around 1925. ©Photo Les Arts Décoratifs, Paris/Jean Tholance.
Puiforcat
Silver fern, Jade.
Around 1925.
©Photo Les Arts Décoratifs, Paris/Jean Tholance.
Baccarat Service Jets d'eau. 1925 Presented at the International Exhibition of Decorative and Industrial Arts in Paris ©Patrick Schuttler / Baccarat
Baccarat
Water Jets Service. 1925
Presented at the International Exhibition of Decorative and Industrial Arts in Paris
©Patrick Schuttler / Baccarat
Puiforcat Around 1930 Pendulette Serre-Livre Silver, Red Marble.
Puiforcat
Around 1930
Pendulette Serre-Livre
Silver, Red Marble.
Jean Dunand 1926 Black Lacquered Wood Fireplace Mantel, Red and Brown, Eggshell © Sothebys
Jean Dunand 1926
Fireplace coat
Black, Red and Brown Lacquered Wood, Eggshell
© Sothebys
Émile-Jacques Ruhlman Pair of Armchairs "Crab" 1925 © Sothebys
Émile-Jacques Ruhlman
Pair of «Frog» Chairs 1925
© Sothebys
Vase by Daum 1930
Vase by Daum 1930
Max Le Verrier Panther. 1925. © Bohnams
Max Le Verrier
Panther. 1925.
© Bohnams
Edgar Brandt, Paravent. Around 1930. © Atelier Forge & Design
Edgar Brandt, Paravent. Around 1930.
© Atelier Forge & Design

Art is perceived as a means of selling more production, and technological advances allow for the reproduction and standardization of objects.

Hochet for Bébé Argent. Around 1925 © Esprit Joaillerie
Hochet for Baby
Silver. Around 1925
© Esprit Joaillerie

Fashion accessories are very popular. Luxury perfume bottles, cigarette cases, and umbrellas compete with jewelry. Considered a luxury, they enhance style.

Éventail Le Bon Marché (a Parisian department store) 1925-1930 © Photo Les Arts Décoratifs / Jean Tholance
Éventail Le Bon Marché (a large department store in Paris)
1925-1930
© Photo Les Arts Décoratifs / Jean Tholance
Cartier Vanity Case c. 1925 Onyx, Diamonds, Gold. © Christie's
Cartier
Vanity Case Around 1925
Onyx, Diamonds, Gold.
© Christies
Raymond Templier Cigarette Case, 1930. © Photo Les Arts Décoratifs / Jean Tholance
Raymond Templier
Cigarette Case, 1930.
© Photo Les Arts Décoratifs / Jean Tholance

The jewelry of this era is bold, dazzling, and often playful. They also borrow from the new, and are choreographed by Jean Després, Jean Dunan, Suzanne Belperron, Boivin, and Raymond Templier.

Jean Després Bague Aigue-Marine, Diamonds, Gold, Platinum. 1937. © Photo Les Arts Décoratifs /Jean Tholance
Jean Després
Aquamarine ring, diamonds, gold, platinum.
1937.
© Photo Les Arts Décoratifs / Jean Tholance
Jean Dunand Bracelet Laque, Silver. 1924. © Sothebys
Jean Dunand
Laque Bracelet, Silver.
1924.
© Sothebys
Boivin Bracelet Cristal de Roche, Hematite, Gold. 1930. © Sothebys
Boivin
Crystal of Roche bracelet, Hematite, Gold. 1930.
© Sothebys
Suzanne Belperron Quartz Brooch, Smoky Quartz, Yellow Sapphires, Citrines, Gold. 1935 © Sothebys
Suzanne Belperron
Smoky Quartz Brooch, Yellow Sapphires, Citrines, Gold. 1935
© Sothebys
Jean Fouquet and Charles Girard. 1937. Topaze bracelet, Gold. ©Photo Les Arts Décoratifs /Jean Tholance.
Jean Fouquet and Charles Girard. 1937.
Topaze bracelet, Gold.
©Photo Les Arts Décoratifs / Jean Tholance.

This generation of jewelers draws inspiration from Cubism, and sometimes from Russian Constructivism, to create refined and architecturally designed lines.
The jewel then becomes a sculpture.

Raymond Templier Broche Cristal de Roche, Onyx, Diamonds, Platinum. 1937 © Photo Les Arts Décoratifs /Jean Tholance
Raymond Templier
Crystal brooch by Roche, Onyx, Diamonds, Platinum.
1937
© Photo Les Arts Décoratifs / Jean Tholance
Raymond Templier Diamond Ring, Platinum. 1937 © Photo Les Arts Décoratifs / Jean Tholance
Raymond Templier
Diamond ring, platinum.
1937
© Photo Les Arts Décoratifs / Jean Tholance

Robert Mallet Steven Fonde in 1929 with René Herbst, Stevens, Raymond Templier, Jean Puiforcat, Hélène Henry and Pierre Chareau formed the Union of Modern Artists. The members of this movement emancipated themselves from decorative notions to focus on function and structure, exploiting new materials and new techniques in order to adapt them to a modern and revalued vision of decorative arts.

Technological and scientific advances bring vitality; jewelry then borrows from mechanics and ball bearings; they are an integral part of the jewelry.

Jean Fouquet Bracelet "Ball Bearing" Chromed Metal, Ebony. 1931.
Jean Fouquet
Ball bearing bracelet, Chromed metal, Ebony. 1931.

Always more modern and surprising, jewellers also aim to be accessible, and it is not uncommon to find innovative materials such as silver, steel, aluminum, bakelite, ebony, shellac, and even plastic. Stones such as topaz, citrine, amethyst, rock crystal, enamel, and galuchat are also associated with them.

Gérard Sandoz Silver ring, gold, enamel. 1928 © Photo Les Arts Décoratifs / Jean Tholance
Gérard Sandoz
Silver, Gold, Enamel Ring.
1928
© Photo Les Arts Décoratifs / Jean Tholance
Jean Després Argent, Gold, Galuchat. © Primavera Gallery
Jean Després
Silver, Gold, Galuchat.
© Primavera Gallery

But while the Deco style appreciates simplicity, it is also valuable; the usually geometric style, or even abstract style, sometimes reveals realistic elements such as flowers that are merely suggested. Hairstyles reveal the ears, thus leaving a great scope for creativity; from long pendants to clip-on earrings that make their appearance. As in this typical Deco composition, where we see a pair of platinum earrings studded with diamonds and a platinum ring studded with diamonds and onyx.

Art Deco trend. Maison Miller © Esprit Joaillerie
Art Deco trend. Maison Miller © Esprit Joaillerie
Art Deco trend. Maison Miller © Esprit Joaillerie
Art Deco style trend. Miller House
© Esprit Joaillerie
Art Deco style. Miller House Diamond Ring, Onyx, Platinum. Around 1925. © Esprit Joaillerie
Art Deco style trend. Miller House
Diamond ring, onyx, platinum. Circa 1925. © Esprit Joaillerie

The «white jewelry» is also very popular, in platinum, studded with diamonds; their geometry allowed for multiple combinations.

Miller Maison Art Deco Diamond Bracelets, Platinum. © Esprit Joaillerie
Miller House
Art Deco Bracelets
Diamonds, Platinum.
© Esprit Joaillerie
Art Deco style. Miller House pendant, Mauboussin diamonds, platinum. Circa 1929. © Esprit Joaillerie
Art Deco style trend. Miller House
Mauboussin brooch
Diamonds, Platinum.
Around 1929. © Esprit Joaillerie

These great classics of Art Deco are created by the great French goldsmiths, and they are truly works of miniature art; it is also a triumph of color.

Boucheron Brooch Jade, Lapis Lazuli, Coral, Turquoise, Diamonds, Platinum. 1925 © Boucheron
Boucheron
Jade brooch, Lapis Lazuli, Coral, Turquoise, Diamonds, Platinum. 1925
© Boucheron
Jacques Lacloche Bracelet Saphire, Diamonds, Enamel, Gold, Platinum 1935. © Sothebys
Jacques Lacloche
Sapphire Bracelet, Diamonds, Enamel, Gold, Platinum
1935.
© Sothebys
Boucheron 1931 African Inspiration Bracelet. Malachite, Ivory, Purplish, Gold. © Sothebys
Boucheron 1931
African Inspiration Bracelet.
Malachite, Ivory, Purpurine, Gold.
© Sothebys

Always geometric, some of the creations sometimes have an Egyptian or Oriental inspiration, a taste for the exotic, and fashion is all about travel.

Poster of the Transatlantic Voyage of the Ship Normandie.
Poster of the Transatlantic Voyage of the Ship Normandie.
Cartier Bracelet "Tutti Frutii" 1930 Ruby, Emeralds, Sapphires, Diamonds, Platinum. © Cartier
Cartier
Bracelet «Tutti Frutii»
1930
Rubies, Emeralds, Sapphires, Diamonds, Platinum.
© Cartier
Van Cleef & Arpels. Bracelet inspired by the tomb of Tutankhamun. Diamonds, Rubies, Emeralds, Sapphires, Onyx, Platinum. 1924. © Van Cleef & Arpels
Van Cleef & Arpels.
Bracelet inspired by the tomb of Tutankhamun.
Diamonds, Rubies, Emeralds, Sapphires, Onyx, Platinum. 1924.
© Van Cleef & Arpels
Van Cleef & Arpels Chinese Inspiration Brooch. Emeralds, Sapphires, Rubies, Diamonds, Onyx, Platinum. 1924 © Van Cleef & Arpels
Van Cleef & Arpels
Chinese Inspiration Brooch.
Emeralds, Sapphires, Rubies, Diamonds, Onyx, Platinum. 1924
© Van Cleef & Arpels

Art Deco remains one of the most admired styles of the 20th century.

This visit concludes, bearing in mind that the past is constantly to be rediscovered and that the jewel follows history. It can only be understood if one knows the era in which it was created. We will meet very soon for another trend...

Art Deco trend with the Esprit Joaillerie spirit Charlotte Wannebroucq and sarah Miller © Esprit Joaillerie
Art Deco trend with the Esprit Joaillerie spirit Charlotte Wannebroucq and sarah Miller © Esprit Joaillerie
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Charlotte Wannebroucq, CNE-certified expert gemmologist
The author

Charlotte Wannebroucq

Gemmologist expert, member of the CNE-Art, and expert in signed jewelry. Twenty-five years of experience at the heart of Parisian jewelry, between the Carré Rive Gauche and Place Vendôme.
She signs the decryptions of collections, the analyses of stones and the estimates published in Esprit Joaillerie. Each piece commented on is examined in person, in the workshop, in the sales room or in the showroom.
  • Expertise

    Gemmology and signed jewellery

  • Member

    CNE-Art

  • Experience

    Over 25 years in Parisian jewellery