Pomellato 1967, between channels and transformations
This is a collection that speaks loudly without raising its voice. With Collection 1967, Pomellato It returns to where it all began: Milan, the channels, freedom. There’s no nostalgia here; just a clear desire to lay the foundations for a new jewelry narrative, based on the active memory of a style.
It all starts with a thread. The thread of the chains, which runs through the collection like a life line. In the 1970s, the founder, Pino Rabolini, had already realized that these articulated lines could say more than was asked of them. With Aigue-marine Dream, The House revisits the forced sequence with elegance: a progression in the links, two sea horses in dialogue, an inner sea of moving diamonds. It’s all about rhythm, breath, almost a musical composition.
The 80s, on the other hand, are expressed in angles and volumes. The necklace Asymmetric Tanzanite, For example, it plays with the unexpected: a free-form stone, articulated modules like a soft armor, and a zipper that opens like a discreet wink. The result: a presence that is assertive but never overwhelming.
Then comes the color, vibrant and assertive. In Riviere Zigzag, The green tourmalines or cherry-red rubellites take their place in a free dance, sometimes even a bit rebellious. The colors do not align neatly: they overlap, push back, and respond to one another. And that’s where Pomellato comes into play: in this way, gemstones speak as if they were disordered words that eventually make sense.
What strikes about this collection is the impression that each piece is both the extension of a story and an autonomous entity. The design does not impose itself; it suggests. The jewel does not follow a formula; it invents its own rules.
With Collection 1967, Pomellato Don’t try to impress. He explores, reinterprets, and assembles. A living memory, made of ancient gestures and new forms. High-quality jewelry that doesn’t dress in the trappings of opulence, but in stage clothes.
