Independent media since 2014
by Charlotte Wannebroucq · CNE Accredited Gemmologist

LEGACY OF COLOUR by DAVID MORRIS

At David Morris, color is never decorative. It decides, it imposes, and sometimes it resists. Legacy of Colour, unveiled at the end of January, is a demonstration of this without any emphasis: here, the stones speak before the drawing.
Charlotte Wannebroucq, CNE-certified expert gemmologist
Founder and Editor-in-Chief
Updated on April 8
Updated on 8 April 2026
© DAVID MORRIS
DAVID MORRIS

Legacy of Colour by David Morris, when the stones take the initiative.

Amazonica Earrings© Esprit Joaillerie / David Morris
Amazonica Earrings
© Esprit Joaillerie / David Morris

At Chez David Morris, Color is never decorative. It decides, it imposes, and sometimes it resists. Legacy of Colour, unveiled at the end of January, is a demonstration without emphasis; here, the stones speak before the drawing.

It all starts with a story of perspective. That of Jeremy Morris, who claims a nearly daily relationship with gems, made of observation, patience, and intuition. The collection brings together stones selected over the years, often long before they became desirable in the eyes of the market. Some simply awaited the right moment.

The pink diamonds open the narrative. True to the house’s DNA, they appear in purplish tones, integrated into clean, sometimes graphic, architectures. The jewelry Harmony play restraint, when the bracelet Prisma explore a more assertive construction, where delicacy arises from balance rather than discretion.

Then come the greens and blues. The Colombian emeralds in the loops Amazonica They impose themselves through their presence, enhanced by a radiant composition that changes the perception of their size. The bracelet Abacus, For his part, he combines Ceylan sapphires and Paraiba tourmalines in a regular, almost mechanical movement, inspired by an everyday object. The color flows, without rigidity.

Some pieces are the result of controlled chance. Two natural pearls, found separately, become the pendants. Kismet. They are not alike, and that is precisely what makes sense. Suspended beneath a constellation of colored diamonds, they introduce a rare concept in high jewelry: the acceptance of irregularity.

Other creations tell of an ancient loyalty. The Padparadscha sapphire of the ring Radiant Lotus Reminds us that David Morris was interested in this stone at the border between pink and orange very early on, long before his current fascination with it. Here, the stone does not seek to impress: it asserts itself through its precision.

The collection concludes with Fearne, An ensemble inspired by the fern, where the colored diamonds draw an almost textile silhouette around the neck. The jewel fits the body without weighing it down, like a piece of couture designed for movement.

Legacy of Colour Don't try to explain the color. She puts her in a situation, confronts her, and lets her evolve. An approach that, in David Morris, is less of a strategy than a living legacy.

 

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Charlotte Wannebroucq, CNE-certified expert gemmologist
The author

Charlotte Wannebroucq

Gemmologist expert, member of the CNE-Art, and expert in signed jewelry. Twenty-five years of experience at the heart of Parisian jewelry, between the Carré Rive Gauche and Place Vendôme.
She signs the decryptions of collections, the analyses of stones and the estimates published in Esprit Joaillerie. Each piece commented on is examined in person, in the workshop, in the sales room or in the showroom.
  • Expertise

    Gemmology and signed jewellery

  • Member

    CNE-Art

  • Experience

    Over 25 years in Parisian jewellery