Independent media since 2014
by Charlotte Wannebroucq · CNE Accredited Gemmologist

PIAGET THE POP YEARS IN MIRROR

A breath taken from the sixties permeates the new showcases of Piaget. With Shapes of Extraleganza, the Maison continues a formal exploration begun in 2024, questioning the links between jewelry, art, and visual culture.
Charlotte Wannebroucq, CNE-certified expert gemmologist
Founder and Editor-in-Chief
Updated on March 17
Updated on March 17, 2026
Collier PIAGET
PIAGET EXTRALEGANZA

Piaget's Pop Years in the Mirror, Shapes from Extraleganza.

A breath from the sixties permeates the new showcases Piaget. With Shapes of Extraleganza, The Maison continues a formal exploration begun in 2024, questioning the links between jewelry, art, and visual culture. This collection is a vivid reflection on lines, color, light, and volume, in an assumed dialogue with the applied and decorative arts of past decades.

© PIAGET
© PIAGET

The forms unfold, overlap, and intertwine. Circles, waves, zigzags, points, and spirals meet like on an abstract canvas. Each ornament plays with contrasts and balances, like a jeweler’s earring echoing the plastic explorations of an Arman or Vasarely. Piaget It evokes the memory of a time when artistic creation sought to break away from established frameworks, and the jewel fits into these without hierarchy, as a partner in the momentum.

The thread is the gaze of Piaget in the 1960s-70s: a graphic legacy, assumed in its daring, often unpredictable forms. Through 51 pieces, the collection revisits specific stylistic references in pop art, Op Art and psychedelic fashion while infusing them with a contemporary coherence. The precious stones, whether rare, rough or finely cut, become vehicles for narrative. Rhodochrosite, sugilite, verdite, opales black… these are all materials that form a palette conceived as a chromatic manifesto.

Shapes of Extraleganza It also borrows from the codes of the watch-jewellery, a historic signature of the Maison. Some pieces conceal time under a secret ring, others make it vibrate in supple bracelets with discreet mechanics. As for Endless Motion, a watch-sculpture designed with the artist Alex Palenski, it operates as a poetic synthesis of this collection: a mobile work, traversed by games of shadow and light, suspended between movement and contemplation.

This second chapter of the trilogy Extraleganza It thus asserts itself as a research into the transformation of form into aesthetic experience. A jewelery piece where each stone finds its place within a resolutely free artistic language.

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Charlotte Wannebroucq, CNE-certified expert gemmologist
The author

Charlotte Wannebroucq

Gemmologist expert, member of the CNE-Art, and expert in signed jewelry. Twenty-five years of experience at the heart of Parisian jewelry, between the Carré Rive Gauche and Place Vendôme.
She signs the decryptions of collections, the analyses of stones and the estimates published in Esprit Joaillerie. Each piece commented on is examined in person, in the workshop, in the sales room or in the showroom.
  • Expertise

    Gemmology and signed jewellery

  • Member

    CNE-Art

  • Experience

    Over 25 years in Parisian jewellery